I am a Taiwanese American illustrator and character designer based in Los Angeles, CA. I was born in Taipei, Taiwan and immigrated to Southern California at the age of 1. I was very much interested in art at a very young age and with the support and encouragement of my parents I was able to pursue it as a career. I currently work in the animation industry and the studios I have worked at includes: Disney, Nickelodeon, DreamWorks TV, Sony Animation and Paramount Animation. Along with my love of art, I have a huge passion for animals. I currently own fish, shrimps, crabs, a tarantula, two parrots, four pigeons, three dogs, two cats, and a bearded dragon.
I currently live in Los Angeles. It is a very diverse city with a ton of culture and different types of food. The weather here is sunny practically all year round. Compared to Taipei, which I have only visited for vacation a handful of times, the weather there is humid but the night markets are something I miss a lot living in California. Southern California will always be my home, it is where most of the animation industry resides so my roots are very much planted here.
The best thing is the variety of cuisine and the close proximity to the beach, mountain and desert. When it rains in Los Angeles it is also snowing about 30 minutes north on the Angeles National Forest. So you can go to the beach and play in the snow all on the same day. The worst thing has to be the occasional earthquakes and traffic jams.
The best thing is the variety of cuisine and the close proximity to the beach, mountain and desert. When it rains in Los Angeles it is also snowing about 30 minutes north on the Angeles National Forest. So you can go to the beach and play in the snow all on the same day. The worst thing has to be the occasional earthquakes and traffic jams.
Storyteller. Cultural. Community.
My parents were very nurturing of my interest in art so they enrolled me in art class from the age of 6-13. I was then accepted into an art high school which prepared me for art college. While at Art Center College of Design, I was introduced to the world of visual development and it combined my two interests: illustration and my love for animated tv and films. I began to develop work for my portfolio geared towards animation and with a lot of luck I was able to get a lot of great opportunities.
While at Art Center College of Design, I was introduced to the world of visual development and it combined my two interests: illustration and my love for animated tv and films. I began to develop work for my portfolio geared towards animation and with a lot of luck I was able to get a lot of great opportunities.
Absolutely. My parents never tried to deter me or try to suggest another profession. They were behind me 100%.
I would like to illustrate a book on animal conservation. I have been such a big animal lover all my life and I would love to give back to them somehow by illustrating a book that will educate future generations on the importance of conservation.
I would like to illustrate a book on animal conservation. I have been such a big animal lover all my life and I would love to give back to them somehow by illustrating a book that will educate future generations on the importance of conservation.
I’ve been lucky enough to work with some very talented artists in animation. Most recently, I was able to work on the Mickey Mouse Shorts with Paul Rudish who is the show creator. I had been a fan of his contemporary Mickey shorts since 2012. If I could collaborate with Beyoncé, Billie Eilish or Taylor Swift that would be the dream!
Art blocks and burnouts can put a wrench in my creative wheel. Everyone operates at a different energy and for some artists they get over their obstacles by refreshing their mind and trying things outside of drawing like traveling and hiking. While others beat art block by persevering and drawing until they find their inspiration. It can be tricky to find which one works for you.
They are hardworking and empowering individuals. All of my mentors have been women, some in leadership positions or on their way to being a leader.
They are hardworking and empowering individuals. All of my mentors have been women, some in leadership positions or on their way to being a leader.
There weren’t many that I knew of other than my mom. She was a floral designer and has a good eye for color, texture and composition. She was my biggest, and sometimes harshest, critic growing up but she also helped me become a better artist with her feedback.
Don’t be afraid to ask for help or advice. It does not make you look weak and you have no reason to feel that way. No one expects you to know everything when starting out at a studio or new project. Working in animation is a collaborative effort and nothing falls solely on one person.
Don’t be afraid to ask for help or advice. It does not make you look weak and you have no reason to feel that way. No one expects you to know everything when starting out at a studio or new project. Working in animation is a collaborative effort and nothing falls solely on one person. Everybody works together to carry the project and if you have questions or are unsure of how to navigate something don’t be afraid to ask your supervising designer, director, coordinator, etc.
While I’m working I like listening to pop or film and musical soundtracks.
I really like hot pot and Korean tofu soup. BCD Tofu House is always good.
The project has to peak my interest and the pay has to be worth the time and effort I put into it.
When people can relate to it or if they share the same excitement over the subject matter as I do.
What are some things you do to de-stress?
Photos courtesy of Elsa Chang
April 16, 2021